This story, written for 2014 HP Horror Fest, explores Albus Dumbledore's guilt and self-loathing after his sister's death and his estrangement from Gellert, as well as his final betrayal of his love for Gellert by defeating him at Nurmengard. The catalyst is Tom Riddle, who as a young man has worked out Albus' weakness. He embarks on a campaign of psychological torture, impersonating Gellert and young men who resemble him to seduce him and get inside his head, in revenge for his belief that Albus abandoned him as a child. Interestingly, Tom appears not to have resumed his campaign after his fall in 1981, but by this point Albus' own mind has turned on him, and the impact continues right up until the moment of his death. Read it here
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Last updated:
21 February 2016
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Accessibility (formerly the Large Print Collection)
Since 2003, all Literatti stories have had a script option to view in large print for accessibility purposes, which until 2014 were listed on this page in a large print index.
The 2014 major overhaul has made this page unnecessary. The index pages now use the font-size attribute and percentage-based CSS, which means they will respond to accessibility options within the user's browser. This means you can browse the main index page using whatever zoom method is native to your browser (often CTRL+ and CTRL-) in order to locate a story.
Once you have located your desired story, click the story link, and use the Permalink - Large Print link on the top left corner of the story page to switch to Large Print.
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"I really liked Sarah and Derek because they were a mass of contradictions colliding, and it was possible to explore a lot of the Terminator dilemmas within them. Sarah has this binary approach to the world – her John switch is on and her Everything Else switch is off. Derek is more holistic – he loves Kyle and John and Jess and Billy, and was even fond of Riley and Lauren. For someone who gripes all the time about security, he'll let just about anyone in. His heart is big and his world and what he thinks is worth saving is big. At the same time, he's a much more utilitarian operator, much more willing to kill to save the world and much less likely to angst about it. So he's more human, but she's more moral. It's really interesting to play with."
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Ratings are roughly equivalent to those used by the Motion Picture Association of America.
G: General audiences.
PG: Parental Guidance. Adult concepts and dilemmas, but without graphic detail.
M (or R): Mature audience. Adult concepts and dilemmas, anti-social attitudes, people doing the wrong thing and not necessarily feeling guilty about it. Also includes low-level sexual content (a few soft-focus paragraphs with little or no direct discussion of body parts). Most of my work is M.
NC-17: No children 17 or under. May contain explicit and extended descriptions of sexual activity, brief but graphic sexual descriptions, or graphic violence. A couple of my works contain rape scenes; these are graphic but not sexualised, and are appropriately marked with content warnings.
Trigger/Content Warnings: I take a conservative approach to triggers and will generally warn for anything that might trigger reader trauma to do with violence, self-harm, or grief. If the term "dark themes" is used, this may mean too many dark themes to mention, a dark theme that I don't want to reveal because it's a plot twist, or a vague dark feel that doesn't have a more precise description. Caveat lector.
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Literatti design and content © Deslea R. Judd 1996-2015. More creatives: http://video.deslea.com. The X Files, Harry Potter, CSI, Haven, Tin Man, Imagine Me and You, and the Terminator franchise are the property of various commercial entities that have nothing to do with me. The stories found here are derivative works inspired by those bodies of work, shared without charge, and are intended as interpretation and/or homage. No infringement on the commercial interests of any party is intended.
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